The PeaPeace_of_Blue_RGBce of Blue: Water Journeys

Bill Belleville

According to Carl Hiaasen, Bill Belleville “writes gorgeously and straight from the heart.” In The Peace of Blue, the documentarian and nature writer guides you on a lyrical journey to the natural places in Florida and the Caribbean that have been forged and shaped by water. He poetically affirms the vitality of this most essential substance in our lives by showing the many ways in which water-driven landscapes nurture plants, wildlife—and the human spirit.

Through adventure and contemplative excursions, Belleville shares his contagious respect—and awe—for the singularity and transcendence of the natural world. We are companions in his search for a distinct sense of place, fellow journeymen in his quest to discover within the watery depths a greater awareness that informs and shapes our common identity.

Fig. 1
Photo by Michelle Thatcher.

How did nature come to be such an important part of your life?

I grew up in the country, so “nature” was our single largest source of entertainment. I’d walk for miles, often with a friend my own age, just to see what we might discover. It was only later in my life that I began to understand natural history, and the way all those places were linked together via something called “ecology.”

How did waterscapes come to be the focus of this collection?

As a boy, I lived on a peninsula surrounded by water, veined with rivers and dotted with lakes. Florida, where I’ve spent most of my adult life, was a larger, subtropical version of my boyhood peninsula. I’ve always been enthralled with the many ways in which water so fully shapes life here—as well as in the extended “bioregion” of the Antilles.

What is your favorite way to spend time outdoors in Florida?

It’s a toss-up between paddling on rivers, hiking near them, or snorkeling and diving under the surface of any water body.

Fig. 15
Photo by Beth Crawley.

Tell us one of your favorite memories about water from your childhood.

Fishing with my dad on the shores of a tidal river and—right before sunset—catching the largest striped bass of my young life. I was particularly proud when my mom cleaned and broiled it, and served it to us for dinner!

How is your day structured when you write? What’s your writing routine?

I write best in the morning, so I try to structure my day to allow for that. By mid-afternoon, I turn to the left-brained “adult” part of writing—editing, fielding queries about presentations, planning new editorial projects, and so on.

What do you hope readers will enjoy the most about your book?

These are all little stories about my experiences. So, I’m hoping the energy of a “story” helps take the reader to that particular place in time. In this way, they get to feel these water-driven experiences—but they also are exposed to diverse—maybe even sublime—ways of “seeing.”

People who really liked Salvaging the Real Florida and River of Lakes should enjoy this book.

What are you currently reading?

I am re-reading Barry Lopez’s classic Crossing Open Ground.

Who are your favorite authors, and how have they influenced or informed your own work?

Beyond Mr. Lopez, I’ve always been very impressed and moved by the work of Peter Matthiessen, as well as nature-themed poetry by Wendell Berry, Alison Deming, and others. The timeless, narrative engagement of a “story” becomes more realized for me, as do the ways in which words can express a feeling, a mood, a dream.

What are you working on next?

In addition to a couple of nature-themed essays, I am scripting and helping to produce a PBS film on the values—and challenges—of our Florida springs.

Do you have one sentence of advice for new authors?

Write what you honestly see and feel—and then make sure it’s coherent enough to be understood by others.


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