Gender and Voice in Medieval French Literature and Song

“With its integration of current philosophies of voice, feminist criticism, and queer theory, this collection offers nuanced readings at every turn. The essays acknowledge the classical and ecclesiastical underpinnings of medieval misogyny while insightfully demonstrating how various genres and voices reflected—while undermining—conventional medieval European positions on women.”—Christopher Callahan, cotranslator of Thibaut de Champagne’s Les Chansons, textes … Continue reading Gender and Voice in Medieval French Literature and Song